tag:blogger.com,1999:blog-89986081613104843762024-02-19T08:32:06.020-08:00Hannah WilesMy work is a form of site-specific interventionism, as I interact with an existing space in a way that may challenge the expectations of the intended audience, in the hope of reconstructing the urban narrative.Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.comBlogger52125tag:blogger.com,1999:blog-8998608161310484376.post-60254989463710964362016-01-20T11:05:00.000-08:002016-01-20T11:08:34.256-08:00<span style="color: #274e13; font-size: x-large;">Pilcrow Pub Launch Party</span><br />
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<span style="color: #274e13; font-size: large;">If you haven't heard about the Pilcrow Pub yet then you need to look them up! </span><br />
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<span style="color: #274e13;">They are building a pub and they want as many people as possible to help them. It's going to be based at Saddler's Yard to begin with and the plan is to make it transportable. Over the coming months they are going to put on loads of different workshops that will enable people to muck in and help add to the making of the pub. So for example it might be a workshop making work benches, aprons, tiles etc which will then be used to build the pub. </span></span><br />
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<span style="color: #274e13;">The launch party was a great event that took place next to Sadler's Yard where the pub will initially be built. Unfortunately I forgot to take a photo but we were given a little envelope each with 3 different handmade tokens in that we could exchange for a beer. There was also lists put up around the space of different workshops which you could sign up for. </span></span><br />
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<span style="color: #274e13;">If you want to get involved sign up on their website to get notifications and find out what other workshops you can take part in completely free!</span> <a href="http://www.thepilcrowpub.com/" target="_blank">www.thepilcrowpub.com/</a></span><br />
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<br />Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-85658378842683668832016-01-17T08:53:00.001-08:002016-01-17T10:16:25.666-08:00<div style="text-align: left;">
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<span style="color: #38761d; font-family: inherit;">I was thrilled to be asked by the brilliant GRUB to help them with a project for their Christmas Food Fair. GRUB put on fantastic food and beer events all around the city of Manchester and if you don't know about them you can find out more here <a href="http://www.grubmcr.com/" target="_blank">www.grubmcr.com</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">For one day only we'll be bringing beer, wine, spirits, hand made sodas, cracking coffee, mulled things, street food, live music, DJs, at least one choir and present stalls to Sadler's Yard. Have we forgotten anything?</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">YES WE HAVE! Santa will also be in attendance. The actual Santa. Not one of his 'helpers'. The real deal. You'll be able to have a #santaselfie with him. It will be sick.</span></div>
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<span style="color: #38761d;">I was asked to make a grotto for the Santa Selfies to take place in. After initial meetings about what resources we had and what aesthetic GRUB were after we came up with suitable idea. We decided to use their gazebo but we wanted to have a natural, festive feel inside like you were stepping into a winter wonderland. It was decided that to disguise the fact it was a red, plastic gazebo I was tasked with making 6 stick curtains. Bailey of GRUB fame did a fantastic job collecting hundreds of sticks which he delivered to my studio. </span></div>
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<span style="color: #38761d;">I then set about cutting them so one meter lengths. We calculated that I needed about 40 sticks per curtain. </span></div>
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<span style="color: #38761d;">I then painted a number of sticks to have some small accents of colour. I chose quite muted pastel colours to fit with the brief I had been given by GRUB. </span></div>
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<span style="color: #38761d;">The final step was to tie the sticks together using string to form the stick curtains.</span></div>
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<span style="color: #38761d;">As well as the stick walls I decided to make some branch trees to fill the space inside the gazebo. To put these together I collected large branches that had fallen off the trees (it helped that we had had gale force winds) and I secured them in buckets by surrounding the branch with bricks and then filling the remaining space with expanding foam. I then cut the top layer of foam off and collected moss to cover the top of the bucket and give it a natural feel. </span></div>
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<span style="color: #38761d;">I made decorations to hang on the trees including owls, robins, wooden shapes and snowflakes. (The snowflakes were crocheted by my good friend Claire Ronayne) </span></div>
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<span style="color: #38761d;">Final touches were some beautiful cut out snowflakes and some garlands of greenery.</span></div>
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<span style="color: #38761d;">A massive thanks goes out to Rachel Clarke who got up early on a Saturday to help me install the grotto. Pictured above with her woolly hat on :) turns out she's really strong!</span></div>
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<span style="color: #38761d;">I was really pleased with the final outcome and I think GRUB were too. They put on a fantastic event and coped brilliantly with the last minute change of plan due to weather warnings. The Santa Selfies raised over £100 for charity too.</span></div>
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Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-22430063515491094552015-12-16T10:52:00.000-08:002015-12-16T10:49:06.781-08:00<span style="color: #38761d; font-size: x-large;">Tread Softly</span><br />
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So as well as continuing with my own practice I am embarking on a small scale business venture which will predominantly be re-purposing second hand furniture. I will be a sole trader and will operate under the name Tread Softly. My twitter handle is Hannah Wiles @TreadSoftlyMCR where you can follow what I'm up to.<br />
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The name comes from a poem and although I am not religious I thought the sentiment fits well with the ideology behind the business and links well with my background in stitch.<br />
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<big><span style="font-size: x-small;"><big><big><big>The Cloths of Heaven</big></big></big></span></big></div>
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<big><span style="font-size: x-small;"><big><br /></big></span></big></div>
<big style="font-family: 'Comic Sans MS';"><span style="font-size: x-small;"><big>Had I the heaven's embroidered cloths,<br />Enwrought with golden and silver light,<br />The blue and the dim and the dark cloths<br />Of night and light and the half-light;<br />I would spread the cloths under your feet:<br />But I, being poor, have only my dreams;<br />I have spread my dreams under your feet;<br />Tread softly because you tread on my dreams.</big></span><br /><i><br />W. B. Yeats</i></big><br />
<big style="font-family: 'Comic Sans MS';"><i><br /></i></big>
The following is from my business plan:<br />
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<span style="font-family: "arial" , sans-serif;"><span style="line-height: 18pt;">The aim of the business is to </span><span style="line-height: 24px;">re-purpose</span><span style="line-height: 18pt;"> obsolete furniture </span><span style="line-height: 24px;">re-imagining</span><span style="line-height: 18pt;"> it to create beautiful unique pieces and home accessories using sustainable
materials. The company is owned and managed by Hannah Jessica Wiles, with
Heather Read as lead advisor and is structured as a sole trader. <o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="line-height: 18pt;">We feel that there is a heavy leaning towards the mass produced
and disposable society and wanted to push back against this by offering a
product that treads lightly on the earth through </span><span style="line-height: 24px;">re-purposing</span><span style="line-height: 18pt;"> unloved furniture
and turning them into modern pieces of furniture which are unique and will be
well loved in their new home. <o:p></o:p></span></span></div>
<br />Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-92028872800082775852015-12-16T10:50:00.000-08:002015-12-16T10:22:19.858-08:00<span style="background-color: white; line-height: 18.6px; text-indent: 2px; white-space: pre;"><span style="color: #38761d; font-family: "trebuchet ms" , sans-serif; font-size: large;">Art & Science Critical Forum 1: Environment</span></span><br />
<span style="background-color: white; line-height: 18.6px; text-indent: 2px; white-space: pre;"><span style="color: #38761d; font-family: "trebuchet ms" , sans-serif; font-size: large;">Rogue Artist Studios and Project space</span></span><br />
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<span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18.76px;">Although I was a bit late and it was awful weather on a Friday night I'm really glad I went to this. It's been a long time since I've listened to other artists talk about their work and then had a chance to discuss their ideas. Always great for inspiration no matter what the subject matter or medium of the work. Thanks to Annie Carpenter for organising this! Looking forward to the next one :)</span><br />
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<span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18.76px;">The first critical forum will take place at Rogue Project Space (now on the 1st floor). We have the wonderful Alice Sharp and Bianca Manu from</span><a data-hovercard="/ajax/hovercard/page.php?id=148592571879699&extragetparams=%7B%22directed_target_id%22%3A1669908509928829%7D" href="https://www.facebook.com/invisibledust/" style="background-color: white; color: #3b5998; cursor: pointer; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18.76px; text-decoration: none;">Invisible Dust</a><span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18.76px;"> as special guests. The event will take the form of informal presentations by artists intersperced with discussion. The loose theme for the 1st session is 'environment'. Everyone is welcome to attend but if you would like to present your work please email Annie Carpenter - a.carpenter@mmu.ac.uk.</span><br />
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<span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18.76px;">Kindly supported by Arts Council England.</span><br />
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Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-23120617935778256782015-12-16T10:44:00.000-08:002015-12-16T10:09:29.964-08:00<span style="color: #38761d; font-size: large;">Rogue Open Studios 2015</span><br />
<span style="color: #38761d; font-size: large;">October 23rd - 25th </span><br />
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After 3 years away from the world of art I was thrilled to be welcomed back to Rogue Artist Studios. I am back on the 1st floor sharing a space with two other lovely artists. It just so happened that I got my space back with one week to go until Rogue celebrated its 20th anniversary with its annual open studio event.<br />
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It felt great to be back in there in time to celebrate with them. As I haven't made any work for 3 years I opted to show some past work which was the work I did in a residency at Titos in Liverpool which you can read about on this blog. It was <span style="background-color: white; color: #5c5a5c; font-family: "times new roman" , "times" , serif; line-height: 20px;">four</span><span style="background-color: white; font-family: "times new roman" , "times" , serif; line-height: 20px;"> week residency in a derelict bakery in Liverpool supported through The Arts Organisation</span><span style="background-color: white; font-family: "times new roman" , "times" , serif; line-height: 20px;"><span style="color: #5c5a5c;">. </span>I also replicated some of the work in the photographs in the studio space. </span><br />
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<span style="background-color: white; font-family: "times new roman" , "times" , serif; line-height: 20px;">There are over 100 artists in Rogue studios and I didn't take many photographs but it was a fantastic event and a great opportunity to see some of the great work being made in the studios. </span><br />
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<span style="background-color: white; font-family: "times new roman" , "times" , serif; line-height: 20px;"><br /></span>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-35192260460195887042015-12-16T09:58:00.001-08:002015-12-16T09:59:24.983-08:00<span style="color: #38761d; font-size: large;">Royal British Society of Sculptors</span><br />
<span style="color: #38761d; font-size: large;">2011 Bursary Award Winners</span><br />
<span style="color: #38761d; font-size: large;">17th November - 16th December</span><br />
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I was invited to make a site specific piece of work for the RBS bursary award winners exhibition in London.<br />
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The RBS Bursary Awards 2011 is a showcase of current contemporary practice; ten sculptors have been presented with this prestigious award and this unique opportunity of exhibiting their work as part of a group show in London. The rich diversity of work reflects the individual artists’ background and their journey using sculpture as a means to express their ideas.</div>
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<em style="border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Sculpture is social. It is restless in its enquiries about space and place. And it continues to thrive. We can see all of these qualities on display in the work of the winners of this year’s RBS Bursary Awards</em>. Ekow Eshun, August 2011</div>
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RBS Bursary Award Winners 2011: James Balmforth, David Buckley, Alex Chinneck, Mark Davey, Sian Griffiths, Julia Malle, Kate McLeod, Eric Schumacher, Katie Surridge, Hannah Wiles</div>
You can view the <a href="http://rbs.org.uk/files/RBS_Bursary_Awards_2011_Catalogue.pdf" target="_blank">exhibition catalogue here.</a><br />
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There was some lovely work exhibited exploring different ideas of what sculpture is. I took some photographs at the preview evening, they're not the best but give a feel for the evening.<br />
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<br />Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-74656716745460365312011-09-08T08:03:00.000-07:002011-12-01T02:54:23.151-08:00<span style="color: #38761d; font-size: large;">RBS: Initial Ideas</span><br />
Having done an initial site visit of the exhibition space at the RBS I have been looking over the photographs and brain storming ideas. At the moment I am drawn to the fireplace and feel that I would like to intervene with it in some way whilst considering ideas of regeneration and the speed at which existing city fabrics are systematically destroyed and removed in aspiration of a uniform space of consumption. <br />
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We constantly feel the need to tidy things up to the extent that the layers of history and reclamation by nature are obliterated. Dirt is not necessarily impure, buildings are made out of matter and earth is therefore part of their fabric. Through positioning moss in the uneven cracks which have formed between the beautiful and delicate tiles, the moss can be seen as invading the fireplace as nature reclaims its territory. <br />
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So now I need to develop ideas on what I may use for the moss, (make my own, use dried moss, fake moss) and I will need to develop a technique for attaching it that will not damage the original tiles. but these are my initial thoughts. It may also develop in a more abstract way using some form of green medium that can be representative of nature/moss taking over?<br />
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I am also interested in the markings that can be seen on the flooring where it dips in ever so slightly making beautiful little marks. I may also develop work to draw attention to these in the immediate area around the fireplace but again will need to develop this idea further in terms of materials used etc.<br />
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<br />Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-86314661541270529762011-09-08T03:47:00.000-07:002011-12-01T02:54:23.157-08:00<span style="color: #38761d; font-size: large;">Office Party</span><br />
The two girls who share the space next door to mine at Rogue Studios sent the following message out via email:<br />
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'We (Ahmed & Carpenter) are hosting an office party in our studio (the office space on the first floor). We’d like to invite you to produce work for this event. We are interested in displaying work which playfully explores the idea of an office and/or the idea of a party - an intervention into what’s already here perhaps, or maybe a performance. Pieces can be quick, fun, and ephemeral, there’s no pressure to produce slick high-art objects.'<br />
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Their space is different from everybody elses as they have occupied the small office that was once part of the textile factory before the first floor opened. It is very dated looking and quite cute. As my space is next door I submitted an idea for the show and was selected along with some other brilliant artists including Hilary Jack and Mike Chavez-Dawson.<br />
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I proposed working with an existing feature and I was drawn to the ceiling panels which are standard across most offices. Looking more closely at these custom made ceiling panels I was intrigued by the patterning of holes each one has. I do not know the reasoning for this patterning and wanted to draw attention to it so I pinned a gold bead into each and every pin hole that already existed.</div>
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The preview was really well attended, nice and relaxed and a lot of fun. Mike Chavez-Dawson treated us all to a rendition of 'The Locomotion' on the hour, every hour which became louder and more heart felt as the evening went on. It was great for me to get to know more Roguettes and it was a really nice show so well done to Annie and Taneesha. </div>
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Unfortunately I forgot my camera and haven't been able to source many of the actual work but here are some general people shots from the night.</div>
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Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-73011722368429774762011-09-06T08:46:00.000-07:002011-12-01T02:54:23.162-08:00<span style="background-color: white;"><span style="color: #38761d;"><span style="font-size: large;">Hilary Jack:</span> And Scent of Pine and the Woodthrush Singing</span></span><br />
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I went to Hilary Jack's tour of her first solo show held at Castlefield Gallery and found it truly inspirational.<br />
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I love her aesthetic, it was like she had brought a magical woodland into the gallery. Her delicate way of re-appropriating found objects really appeals to my aesthetic and my personal practice. t particularly reminds me of when I used to bring objects back into the studio which I had taken from the city streets. This is something I might like to think about doing again but in line with my current thinking.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWwzU1whr9_DdmYpploX6KNGBi8DKlBwpX029JqxaWIvWxCiIQk4F-1UZYh4rdJyi26dguxa8jjZgfYurIIQ-wc7mWfMAt00OA5aeLdOLvMGNwiPCnAFLq06fnLdDUx915qyMpOASeo6c/s1600/DSC_0623.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" nba="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWwzU1whr9_DdmYpploX6KNGBi8DKlBwpX029JqxaWIvWxCiIQk4F-1UZYh4rdJyi26dguxa8jjZgfYurIIQ-wc7mWfMAt00OA5aeLdOLvMGNwiPCnAFLq06fnLdDUx915qyMpOASeo6c/s400/DSC_0623.JPG" width="275" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWN1cMF18sLHDSxPTm1q0HWftmKkFmxJ38Q4F8BJOU2Beb-nTVSKu3wHcDCkH6xqC1lxTHt5pEkmm2BtPBqC0NkKgGFHTgwTGFEwgEsaFQgYgbWsCwFxalMK3lPsNieCiwMeRnIWPLTQY/s1600/DSC_0627.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" nba="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWN1cMF18sLHDSxPTm1q0HWftmKkFmxJ38Q4F8BJOU2Beb-nTVSKu3wHcDCkH6xqC1lxTHt5pEkmm2BtPBqC0NkKgGFHTgwTGFEwgEsaFQgYgbWsCwFxalMK3lPsNieCiwMeRnIWPLTQY/s400/DSC_0627.JPG" width="257" /></a></div>
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There was also a wonderful correlation between the different works throughout the gallery.<br />
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Her talk was brilliant as she thoroughly explained the thinking behind the work and how one piece developed from another. It was clear to see that whilst she works intuitively with her found objects, all the reading and thinking that she must be doing at the same time clearly goes into what she is creating, even if this is subconscious.<br />
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This is something that I would like to try and achieve as I am still struggling to find a balance between my making and my thinking.<br />
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My conclusion is that I NEED TO MAKE MORE!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYdDpjGmW003EMt-DWf3o44Qi_wMu0IUB95LWmrjZHsmZgGOLI1wj3I9Da12QoOZE3dFQEPKdsyakWaqJk7cx0dQUPrL23saPbS54HioVMgQhzlPdycr0JwLF-S1CpxrgqF5aTaQ3fui8/s1600/DSC_0619.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" nba="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYdDpjGmW003EMt-DWf3o44Qi_wMu0IUB95LWmrjZHsmZgGOLI1wj3I9Da12QoOZE3dFQEPKdsyakWaqJk7cx0dQUPrL23saPbS54HioVMgQhzlPdycr0JwLF-S1CpxrgqF5aTaQ3fui8/s400/DSC_0619.JPG" width="400" /></a></div>
Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-2026835111613682682011-08-02T05:10:00.000-07:002011-11-02T06:23:55.668-07:00<span style="color: #38761d; font-size: large;">RBS Site Visit</span><br />
<span style="color: black;">The Royal British Society of Sculptors contacted me to say that they would like me to make a site-specific piece for the exhibition in November. Although it seems a while off, they are already getting the brochure ready and wanted me to travel down to London asap to look at he space and start planning what I would like to make for them.</span><br />
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This is a little daunting as I will have to install a new piece of work over 3 days in November and therefore do not have the <span style="font-family: "Times New Roman"; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">reassurance</span> of already having work to install that you know is a success. So the pressure is on but ultimately this is the way I like to work and I am excited about the opportunity.<br />
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Here are some images of the space that I took to work from: <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6xC_gYnw5vwghGFmzWPuIQ9RBjTcKU7b5Km3KSe4OsxELWuMjDKF3WFpyyX9_N9Kb9cKtBM2TDMNL755EHrs1OYcxGfUrp0r6bw1NSwbMrXcu3AsqE2MIRTWw3E9otd7M_QPM21fUYxk/s1600/DSC_0503.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6xC_gYnw5vwghGFmzWPuIQ9RBjTcKU7b5Km3KSe4OsxELWuMjDKF3WFpyyX9_N9Kb9cKtBM2TDMNL755EHrs1OYcxGfUrp0r6bw1NSwbMrXcu3AsqE2MIRTWw3E9otd7M_QPM21fUYxk/s400/DSC_0503.JPG" t$="true" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXZudL-gnZn9F4pdbt2Ju2WvJO8JCI_9MGcH2k1lLESKjYpidayUx3fpZorgTy9lbkNFvjO7A1H6ac7CRqqUi8f7L8gl7V0kbfDjNr1SNDxR9q1zb2J5XHDOIHXQevXdSArGME_9b-tmQ/s1600/DSC_0504.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXZudL-gnZn9F4pdbt2Ju2WvJO8JCI_9MGcH2k1lLESKjYpidayUx3fpZorgTy9lbkNFvjO7A1H6ac7CRqqUi8f7L8gl7V0kbfDjNr1SNDxR9q1zb2J5XHDOIHXQevXdSArGME_9b-tmQ/s400/DSC_0504.JPG" t$="true" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjtJw4o3V8v-XMch-XyN-RrbeBHiG963ZSLGQgb5eQCwj0FPsR-y2Di6VuSwqu5HYs556Fh1IZeoLMGDFp471oogUUaFyEn7JEjF9MTyGypVFqvqWHk-tFghum0jc2_D4vtI17ANjnD8/s1600/DSC_0505.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjtJw4o3V8v-XMch-XyN-RrbeBHiG963ZSLGQgb5eQCwj0FPsR-y2Di6VuSwqu5HYs556Fh1IZeoLMGDFp471oogUUaFyEn7JEjF9MTyGypVFqvqWHk-tFghum0jc2_D4vtI17ANjnD8/s400/DSC_0505.JPG" t$="true" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPM9XOS6IEmaD4NJNXoSGSO-v1Sc9JKlE2soU3nCw2PUqHMB5-PMOhykJ6lSiJvTwvLniIkXT_ZRLdfku7iy7I_BV8XlflkQZBCIt6ETjYATvN_IZZtvYyGpJzZnBpdapiP0HDnmcIKQ/s1600/DSC_0517.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPM9XOS6IEmaD4NJNXoSGSO-v1Sc9JKlE2soU3nCw2PUqHMB5-PMOhykJ6lSiJvTwvLniIkXT_ZRLdfku7iy7I_BV8XlflkQZBCIt6ETjYATvN_IZZtvYyGpJzZnBpdapiP0HDnmcIKQ/s400/DSC_0517.JPG" t$="true" width="400" /></a></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-91641894840805601512011-08-02T04:59:00.000-07:002011-08-02T05:13:51.761-07:00<span style="color: #38761d; font-size: large;">Manchester International Festival</span><br />
<span style="color: black;">I went to the Whitworth Art Gallery and Manchester Art Gallery to see the exhibitions they were showing as part of MIF.</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfc1bIjgfLukDoQoWtCNlCGTIBm8Yj9Jkf4OIVyTywmwCkS0QGYxhF5LAxUoUmQTRbm6csGEQBSCFC94DlqmkmNf33QsyXEAIT-MCe8Ug2CAj-K-NWjcTe-m_xzy0XhrD-WHbPAiJEdEY/s1600/francis-alys-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfc1bIjgfLukDoQoWtCNlCGTIBm8Yj9Jkf4OIVyTywmwCkS0QGYxhF5LAxUoUmQTRbm6csGEQBSCFC94DlqmkmNf33QsyXEAIT-MCe8Ug2CAj-K-NWjcTe-m_xzy0XhrD-WHbPAiJEdEY/s400/francis-alys-3.jpg" t$="true" width="267" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;">I was looking forward to visiting the Whitworth as I knew that they were showing Projections: Works from The Artangel Collection, and as a big fan of Artangel it was exciting to have a show of their works in Manchester. In particular I was keen to see Francis Alys' Seven Walks as I have read much about this project but only seen some of the pieces in his solo show that I saw last year in London. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Another work I was excited to see after reading about it but never having seen it in real life was Tony Oursler's Time Machine which was held every evening between 8pm-11pm in the park next to the gallery. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrPSoo-YgyXMaHPBHkidA-bmNLxLoqngQiWerynhY7Tkl0vSUsXBy4K2OezrFJVTEKaGjk4QD0GOAQh5jqK_Jv7NyXmIN7c4iyMsAAJxeq2_dXQNbywms8N98WJwj52adGbaSWT3H9gOE/s1600/woman_banner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrPSoo-YgyXMaHPBHkidA-bmNLxLoqngQiWerynhY7Tkl0vSUsXBy4K2OezrFJVTEKaGjk4QD0GOAQh5jqK_Jv7NyXmIN7c4iyMsAAJxeq2_dXQNbywms8N98WJwj52adGbaSWT3H9gOE/s400/woman_banner.jpg" t$="true" width="400" /></a></div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div style="text-align: left;">There was a real buzz the night that I attended, with lots of people milling around in the dark, all seeming quite excited. For me, I really enjoyed how engaging this work seemed to be for people and I know a lot of people who attended this but did not visit the gallery. As an artist who works outside in the public domain, it is this kind of reaction to art that excites me.</div><div style="text-align: left;"><br />
</div><div style="text-align: left;">At Manchester Art Gallery they were showing '11 Rooms'. Each of the 11 rooms had some form of performance art piece or 'live art' show happening within it. Although I am extremely shy of anything where I may be asked to join in, I found that my confidence built as we walked around and it was a completely unique experience that I think will stay with me in away that perhaps more traditional modes of art may not.<br />
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<a href="http://mif.co.uk/">http://mif.co.uk/</a></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-28426829287351980892011-08-02T04:27:00.000-07:002011-08-02T05:14:18.583-07:00<span style="color: #38761d; font-size: large;">Ruppert Griffiths: Borderlands</span><br />
I was interested to visit this exhibition at CUBE gallery as the themes and ideas behind the exhibition link strongly with the ideas surrounding my practice. Griffiths examines the tensions at play between the over-determined places in the city and under-determined areas that go under the radar. As with my work, he is therefore interested in the tension that exists between the new purpose built areas of the city and those forgotten and abandoned places that mark the physical infrastructure of our past. <br />
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<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEryMNogejqCHQ4P1MnxmpgCbnko18irh4Fz2I_7i9FP3oI8AEp-j63BfiGVhIM9H5zPpu71s8wlYPnpTtw9kak20KeTozTBquprGjjrpUVPXk4iwHEzq6gybaf8p2-Z6C2fFSdVwGR08/s1600/webcroprup4050511145326.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEryMNogejqCHQ4P1MnxmpgCbnko18irh4Fz2I_7i9FP3oI8AEp-j63BfiGVhIM9H5zPpu71s8wlYPnpTtw9kak20KeTozTBquprGjjrpUVPXk4iwHEzq6gybaf8p2-Z6C2fFSdVwGR08/s400/webcroprup4050511145326.jpg" t$="true" width="400" /></a></div><br />
Whilst I appreciated the exhibition and the ideas behind it, I found on a personal level that I was not drawn in and found it difficult to engage with. I think the problem for me was that he utilised materials and processes that are typically used to re-brand failed spaces undergoing re-development as a means to highlight the cyclical nature of regeneration but because it is the decay that I am drawn to, the aesthetic no longer appealed to me.Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-81787809464278845972011-08-02T03:57:00.000-07:002011-08-02T03:57:48.780-07:00<span style="color: #38761d; font-size: large;">Royal British Society of Sculptors Bursary!</span><br />
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I recieved the following letter through the post: <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFKaoxLugvVegHfdr6h2A_ESPLXG4sWylH-xIod6e4oJrhQueQDAybuHHfuiHvMRsw_wJPJPaeIlZvRt2HZ2PlxU0CupYET01iRi2wstJZk8PZgBc3ypYAwkL89vRFyfS7VSCOF3MVDBg/s1600/RBS+Award.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFKaoxLugvVegHfdr6h2A_ESPLXG4sWylH-xIod6e4oJrhQueQDAybuHHfuiHvMRsw_wJPJPaeIlZvRt2HZ2PlxU0CupYET01iRi2wstJZk8PZgBc3ypYAwkL89vRFyfS7VSCOF3MVDBg/s640/RBS+Award.jpg" t$="true" width="540" /></a></div><br />
I was so suprised, largely because I have only recently started to think of my work as a form of sculpture and had already decided that I didn't stand a chance as they would probably be after more traditional scupltors who have been trained in the discipline. This is therefore a great confidence boost and it will be fantastic to be a member of this prestigious society which will hopefully open up new opportunities and raise my artist profile. It will also be exciting to exhibit with them in a prime location in London come November.<br />
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<a href="http://www.rbs.org.uk/">http://www.rbs.org.uk/</a>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-71998316856756772952011-08-02T03:34:00.000-07:002011-08-02T05:15:03.304-07:00<span style="color: #38761d; font-size: large;">LOOK 11, Liverpool International Photography Festival</span><br />
<span style="color: black;">I caught some of this at the Bluecoat in Liverpool, but looking at the website for it I wish I had seen more.</span><br />
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<a href="http://www.look2011.co.uk/photographers/">http://www.look2011.co.uk/photographers/</a><br />
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At the Bluecoat the photography exhibition was called 'Confined' and there were some really intriguing photographs on show. I was especially drawn to Juergen Chill's birds-eye view of German prison cells. From this perspective you could see how different inmates had adapted and arranged their cells, achieving a personal touch even with such limited resources to work with. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_f7LFHVykJ8qBNJ7-8hQHiV_YpYYYzNYY8yUblh8f7BPQGBrhl9CytphTZjlhkh_8GN4Ymy3VDuvWq2BwGXq9Gv0Iu4QcmAqWW_gQgmMP21wCnDQPd8FF5OpCq8gOo4w0em6XgvjxpY/s1600/Juergen-Chill-650x465.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil_f7LFHVykJ8qBNJ7-8hQHiV_YpYYYzNYY8yUblh8f7BPQGBrhl9CytphTZjlhkh_8GN4Ymy3VDuvWq2BwGXq9Gv0Iu4QcmAqWW_gQgmMP21wCnDQPd8FF5OpCq8gOo4w0em6XgvjxpY/s400/Juergen-Chill-650x465.jpg" t$="true" width="400" /></a></div><br />
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I also liked David Moore's exploration of a high security police station where terror suspects are held under the Counter Terrorism Act. As a place you are not normally allowed access to, it almost felt like you shouldn't be seeing the images which in turn made them strangely exciting but also quite ominous when you think of the fear that must exist in such a place. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZnbCcnERw3DzdEtjrWTQT_REPsdRiiETbchKP2u5koM1nn0jruwBpdIi5XnOtyRhNriRjOdZg7sIOiMF19KVsyOFKBGGazCf1GNcWo-HulRfS9CJP3eRR24meRyyikNYGaiG8KSL6Cio/s1600/untitled.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZnbCcnERw3DzdEtjrWTQT_REPsdRiiETbchKP2u5koM1nn0jruwBpdIi5XnOtyRhNriRjOdZg7sIOiMF19KVsyOFKBGGazCf1GNcWo-HulRfS9CJP3eRR24meRyyikNYGaiG8KSL6Cio/s320/untitled.bmp" t$="true" width="254" /></a></div><div style="text-align: center;"><br />
</div><div style="text-align: left;">Other work I liked was John Darwell's, 'Dogs in Cages' which highlighted the nature and mechanics of captivity and also Ben Graville's penetrating and provocative portraits which captured prisones being to and from the Old Bailey</div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-60412950757310177572011-08-02T02:56:00.000-07:002011-08-02T02:57:53.903-07:00<div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d; font-size: large;">Pairings Conference, MMU</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy4fVvKHPtCwCa-BmwHnioqaxTjrtj01jIR3sWDFv3kdoaZjhS_XRVQY-kDQnzuHuQ8NzRHikj4zGQftrYH9ZUefbXWhrBi6c3r3IesEwZN-Z4iu91IG9gdzqk4TedzGOvXzpN243VFvw/s1600/100_9522.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy4fVvKHPtCwCa-BmwHnioqaxTjrtj01jIR3sWDFv3kdoaZjhS_XRVQY-kDQnzuHuQ8NzRHikj4zGQftrYH9ZUefbXWhrBi6c3r3IesEwZN-Z4iu91IG9gdzqk4TedzGOvXzpN243VFvw/s400/100_9522.JPG" t$="true" width="400" /></a></div><br />
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I attended one day of the two day conference at MMU called 'Pairings: Conversations, Collaborations, Materials'. This two-day conference sought to make a significant contribution to expanding knowledge on collaborative practice in craft, design and art environments. <br />
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<a href="http://www.miriad.mmu.ac.uk/pairings/">http://www.miriad.mmu.ac.uk/pairings/</a><br />
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The conference stemmed from a project called 'The Pairings Project' at MMU which was set up to explore the potential of collaborative creative practice. It was initiated not only to make new work, but also to engage in conversation and establish links with other makers and institutions. The participants came from a variety of backgrounds in the craft, design and art spectrum, engaging with materials ranging from clay, glass, textiles, metal, wood or paper to new technologies such as digital and film media. They were all lecturers (some part time) at a number of educational institutions in the UK.<br />
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Paired up across both disciplines and institutions, there was no brief only the deadline of a booked exhibition space in the Special Collections Gallery, where it was hoped processes could be shown, even if there was no finished work produced.<br />
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<a href="http://thepairingsproject.wordpress.com/">http://thepairingsproject.wordpress.com/</a><br />
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I wanted to attend the conference as I am interested in the idea of collaboration. I think it can be a great way to get you out of your comfort zone and exploring fresh ideas. The artists involved exchanged works with the intention of developing the other person’s art by adding to it in some way. In doing this they were exposing themselves to unfamiliar working practices which in turn lead to exciting explorations and experimentation.<br />
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They then had to put their collaborative work within a context; an integral step in all practice, although importantly for me, they talked about this contextualisation not having to take the form of words, but instead suggested it could exist as pictures or objects etc that support the final work. I picked up on this in particular as I often find myself too immersed in books and theories, to the point that the visual research that I used to really enjoy gets forgotten. This is something I would like to try and address in future work. <br />
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A blog was set up for the participants to communicate via with the intention being that it would be a good tool to record the progress and development of the collaborations. It was however underused and discussion was had on why this might have been. People spoke of not wanting to put their personal thoughts online in the public domain, especially whilst they are still developing. I think this is a problem I have. Rather than a flow of consciousness as I make work and think about it, it always feels like more of a chore. I am also very selective about what I put on here, and it is nearly always about stuff that has already happened, rather than ideas I want to take forward. For me then, the blog is more of a formal diary of key things I have done. Perhaps my notebook of sketchy ideas would be more interesting but I would not feel comfortable exposing all.<br />
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In the afternoon I attended a talk called 'The Making' which is a strategy that has been set up to try and re-address the gap between the way art is taught in schools and the way professionals approach art and crafts. They want to help train teachers and give them more confidence by putting them in contact with arts professionals, galleries, craft workers etc and encourage issue based work. I think that this is a very interesting project and something I would like to keep my eye on and possibly access in the future.<br />
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<a href="http://www.themaking.org.uk/">http://www.themaking.org.uk/</a>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-5682031598297837872011-05-17T10:21:00.000-07:002011-05-17T10:26:20.109-07:00<span style="color: #38761d; font-size: large;">WORKHOUSE (The Exhibition)</span><br />
<span style="color: black;">Naomi Lethbridge curated the exhibition WORKHOUSE: Work On A Theme of Intensive Labour, which she invited me to take part in. It took place at HIVE, 47-51 Lever Street, Manchester.</span><br />
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<span style="color: black;">The preview was on 14/04/11 and the show continues untill 21/04/11 (10.00-16.00)</span><br />
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<span style="color: black;">Artists Include: Stephen Ashdown, Frances Blythe, Antony Clarkson, Jenny Core, Sian Green, Mary Griffiths, Hannah Leighton-Boyce, Naomi Lethbridge, Sarah Redfern and Hannah Wiles</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOSYviJ_n4vHLrOW-nrafsyAaTKLDuSCMbShMzyxAd8vaA5QzSi0xTYrVA8p3ML7dYa8OQTeAwI7M-V1pLC07FQd0KS2oKMzXjCUa-pWy5pBIPg2tM5GbEpZihEPZlrriNU8g1orF-KGA/s1600/DSC_0420.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOSYviJ_n4vHLrOW-nrafsyAaTKLDuSCMbShMzyxAd8vaA5QzSi0xTYrVA8p3ML7dYa8OQTeAwI7M-V1pLC07FQd0KS2oKMzXjCUa-pWy5pBIPg2tM5GbEpZihEPZlrriNU8g1orF-KGA/s400/DSC_0420.JPG" width="400" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs6fG40e-lf7joY1tSsYn35p75hwZQZY5lt1QxcI7siDkSBf3NiCqaMXPDVWQ51HS9RrAlfvvyxncGiqcsT4RfuO3ue7vRfY9qEWn3ijIdj-6COmVt6E1LXKvKB4IBIE80RC_qGzPGK_g/s1600/DSC_0418.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs6fG40e-lf7joY1tSsYn35p75hwZQZY5lt1QxcI7siDkSBf3NiCqaMXPDVWQ51HS9RrAlfvvyxncGiqcsT4RfuO3ue7vRfY9qEWn3ijIdj-6COmVt6E1LXKvKB4IBIE80RC_qGzPGK_g/s400/DSC_0418.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">Detail <em>Match </em>by<em> </em>Jenny Core and Detail <em>Pilgrimage </em>by Antony Clarkson</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcTcc3EollDyAVzPzRDWjJdRNzR22iNDxrJNhkpshuK2-jDcr0V1Z-doaZwQaIRu1NLyekkM9BI0PhFGxCTWSHmIRYd4YOYoUhNnxfe3c1aDbfRorKIoe0YKSu7vqzUrAUTzC9bNP8NWM/s1600/DSC_0426.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcTcc3EollDyAVzPzRDWjJdRNzR22iNDxrJNhkpshuK2-jDcr0V1Z-doaZwQaIRu1NLyekkM9BI0PhFGxCTWSHmIRYd4YOYoUhNnxfe3c1aDbfRorKIoe0YKSu7vqzUrAUTzC9bNP8NWM/s400/DSC_0426.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><em>Composition: Movimentum</em> by Hannah Leighton-Boyce</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_MfKi_34NrieVUkf473ni4472ToPsNgQ53j8O_HH8T9cRvng7jxSCXE03_rJrHJcaUnoHXrrmlHFG2Ws44dKCamRWwir8bNazfaa22fyemUzsRTXGEkaKzUEhXxQSqjb_pt5Cu0XlFIY/s1600/DSC_0427.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_MfKi_34NrieVUkf473ni4472ToPsNgQ53j8O_HH8T9cRvng7jxSCXE03_rJrHJcaUnoHXrrmlHFG2Ws44dKCamRWwir8bNazfaa22fyemUzsRTXGEkaKzUEhXxQSqjb_pt5Cu0XlFIY/s400/DSC_0427.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">Detail <em>Composition: Movimentum</em> by Hannah Leighton-Boyce</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifoPGn7GM7u44gmcTkaFKB65caRofjwNwjgX4SJVEuJJbv4RoOAhyWlwLkY0m9EGBkouTOeBFj-xW5bbSntOEy0TEC2QPn-84TLVBXqEaikWItp7xLOUfYNd57urw2rQJBl3gNkyRm2vw/s1600/DSC_0429.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="306" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifoPGn7GM7u44gmcTkaFKB65caRofjwNwjgX4SJVEuJJbv4RoOAhyWlwLkY0m9EGBkouTOeBFj-xW5bbSntOEy0TEC2QPn-84TLVBXqEaikWItp7xLOUfYNd57urw2rQJBl3gNkyRm2vw/s400/DSC_0429.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><em>Constellation</em> by Mary Griffiths</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGxg4m9pxOnb1xY9F7pMUdHgSRL5jagJsMvVTo1Eluk20PWin-Ted6b6kIrIj4iHI3KI8Ra4i5IAMFCWiNxWY8Ba9MP7a_yDcBnnQVwUdHyU7au3o3ccpmDfmpgGcd0XPJ8Gk5KCyh0eY/s1600/DSC_0430.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGxg4m9pxOnb1xY9F7pMUdHgSRL5jagJsMvVTo1Eluk20PWin-Ted6b6kIrIj4iHI3KI8Ra4i5IAMFCWiNxWY8Ba9MP7a_yDcBnnQVwUdHyU7au3o3ccpmDfmpgGcd0XPJ8Gk5KCyh0eY/s400/DSC_0430.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><em>24 New Covent Garden Soup Cartons</em> by Naomi Lethbridge</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCXFmrZphyjA_H3Y1ZN2IYG94wPVC86ThWbahYnnFd5_V8L6AyEhsVYataIbSAZMvP4HM9bhmEQRck7spNKebPTMgushpNf_llaFv-fPGV21rjkaPDMpbScYknY1DrVEFKUfVqyLWP2YY/s1600/DSC_0440.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="232" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCXFmrZphyjA_H3Y1ZN2IYG94wPVC86ThWbahYnnFd5_V8L6AyEhsVYataIbSAZMvP4HM9bhmEQRck7spNKebPTMgushpNf_llaFv-fPGV21rjkaPDMpbScYknY1DrVEFKUfVqyLWP2YY/s400/DSC_0440.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><em>Untitled</em> by Sarah Redfern</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw8xPkVm1hIUxADwmA0XFl0gJPFGwGdoGGimMVWjCYQ1WZ-pJAommhtoYpmDx2iVfadLhJERK3JONhOCUJ1yMhaKJ_mWeKHTFdl6wWKBNcIGccqc3qe0KR7WnhHAj3Zlovj2rFTNOfktU/s1600/DSC_0435.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw8xPkVm1hIUxADwmA0XFl0gJPFGwGdoGGimMVWjCYQ1WZ-pJAommhtoYpmDx2iVfadLhJERK3JONhOCUJ1yMhaKJ_mWeKHTFdl6wWKBNcIGccqc3qe0KR7WnhHAj3Zlovj2rFTNOfktU/s400/DSC_0435.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><em>Mary's Table</em> by Antony Clarkson</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVPOPD7L_iUrnR9qWfNL45ZSQ2G9vsfq_pYGoE9EegQEcfnVNyf5IWJKAKAGCeMohpEZhOMgKqWiowLa67Dp0PeoMD6HgAnd9_E7fQ_9CEd7tSeFv5D7kUmwBQ8NQ95mlP1Z3WgPIbYtc/s1600/DSC_0442.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVPOPD7L_iUrnR9qWfNL45ZSQ2G9vsfq_pYGoE9EegQEcfnVNyf5IWJKAKAGCeMohpEZhOMgKqWiowLa67Dp0PeoMD6HgAnd9_E7fQ_9CEd7tSeFv5D7kUmwBQ8NQ95mlP1Z3WgPIbYtc/s400/DSC_0442.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXPpdaBrXtvI7OEsPtJKZ7LRY3y8xUCjt5Gg5QsoAHOasVgTC0qfo7_Cr-0DSR-L6ugmd7LBJ8Ujh1AZrVPJA_RdN9kuW7ck5RqVkvRmniKrXnpZ8YPaT8pqkMm5hGpycwIdNM8WUCuDc/s1600/DSC_0453.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXPpdaBrXtvI7OEsPtJKZ7LRY3y8xUCjt5Gg5QsoAHOasVgTC0qfo7_Cr-0DSR-L6ugmd7LBJ8Ujh1AZrVPJA_RdN9kuW7ck5RqVkvRmniKrXnpZ8YPaT8pqkMm5hGpycwIdNM8WUCuDc/s400/DSC_0453.JPG" width="400" /></a></div><div style="text-align: center;"><span style="font-size: x-small;"><em>Untitled</em> by Hannah Wiles</span></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-84225258803252382842011-05-17T09:41:00.000-07:002011-05-17T10:30:22.745-07:00<span style="color: #38761d; font-size: large;">WORKHOUSE (Moss)</span><br />
<span style="color: black;">I was invited by Naomi Lethhbridge to take part in an exhibition that she was curating around the theme of intensive labour. For this, I wanted to make a sited piece around the location of the gallery. After observing and documenting the area I became very drawn to a section of moss that could be seen whilst standing in the gallery. Due to the moisture as a result of poor drainage, this rich green moss had begun to draw itself, creating a beautiful pattern across the red brick of the wall behind.</span><br />
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I wanted to add to and continue this organic drawing by adding my own marks to the wall. A subtle intervention that draws attention to the themes I have been looking at more recently with regard to nature versus the urban environment. <br />
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<div class="separator" style="clear: both; text-align: center;"></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-19192608536069833542011-05-17T07:52:00.000-07:002011-05-17T08:17:47.213-07:00<div class="separator" style="clear: both; text-align: center;"></div><span style="color: #38761d; font-size: large;">In Certain Places: </span><span style="color: #38761d; font-size: large;">The Monument and the Changing City Symposium</span><br />
<span style="color: black;">I attended a symposium at University of Central Lancashire. It was designed to examine the impact, purpose and aesthetic merit of public commemorative and memorial works from across the world, and the role of public memory within the changing city. The speakers included: Paul Gough, Lubaina Himid, Alan Rice, Jonathan Vickery, Charles Quick and Chris Meigh-Andrews.</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSAQDRnQhC2ZVyo22Z1d0ZOMIEhUy2ie8ujeq7KnmENL83lZ5h_VtfbNfZKPj8OtLAV5w2Bv9ijbBDX3UcUeMoHOSgk3PP0XCdQo6afWnYKIK024W03nUUjSFj7DC4OUoVnSPMD87hIRQ/s1600/flash-560x150.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="170" j8="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSAQDRnQhC2ZVyo22Z1d0ZOMIEhUy2ie8ujeq7KnmENL83lZ5h_VtfbNfZKPj8OtLAV5w2Bv9ijbBDX3UcUeMoHOSgk3PP0XCdQo6afWnYKIK024W03nUUjSFj7DC4OUoVnSPMD87hIRQ/s640/flash-560x150.jpg" width="640" /></a></div> <span style="font-size: x-small;">Flash at Hebburn </span><span style="font-size: x-small;">by Charles Quick</span><br />
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Having been to a brilliant symposium run by In Certain Places last year, I was keen to attend this one. In previous work I have l<span style="font-family: "Times New Roman"; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">ooked at the importance of derelict buildings and their ability to encapsulate the past in a way that heritage sites can not. I wrote an essay referring to the work of Pierre Nora with regard to lieux de mémoire and how dominant sites of memory, such as memorials, do not evoke the same sense of remembering as grass-root sites. </span><br />
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<span style="font-family: "Times New Roman"; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">With this in mind I was hoping there would be more discussion on temporary grass-root intervention that can act as an alternative to monuments. Although this was briefly touched on in a discussion session before lunch, there was not enough time to push these ideas further. </span><br />
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<span style="font-family: "Times New Roman"; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">I felt that Paul Gough was the most relevant speaker for me and I intend to look up his writings at <a href="http://www.vortex.uwe.ac.uk/">http://www.vortex.uwe.ac.uk/</a>. He also mentioned the artist Toni Morrison who may be of interest to me.</span><br />
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<span style="font-family: "Times New Roman"; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">You can watch all the speakers at <a href="http://incertainplaces.org/category/talks-and-debates">http://incertainplaces.org/category/talks-and-debates</a> and they are definitely worth a look. </span>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-9787580649424339212011-02-23T08:12:00.000-08:002011-02-23T08:24:19.934-08:00<span style="color: #38761d; font-size: large;">BlankPages, Issue 31</span><br />
<span style="color: black;">I was approached by Blank Media Collective and asked if I would be their 'Spotlight' artist in their monthly publication BlankPages.</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnsNLano44JKdDfwC_eVvHsaqcPsv0dFGfsogoEW3pDpW-MOJ1hz0ipWHhMBgfkuOsOaOdAR_9mx8HrqrSMWoGobGiwl8S9HPspWiurHUCmHPEdc0GfXGhisZ_yGhFmOm3rJeC5l6E4zE/s1600/Blankpages1.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnsNLano44JKdDfwC_eVvHsaqcPsv0dFGfsogoEW3pDpW-MOJ1hz0ipWHhMBgfkuOsOaOdAR_9mx8HrqrSMWoGobGiwl8S9HPspWiurHUCmHPEdc0GfXGhisZ_yGhFmOm3rJeC5l6E4zE/s400/Blankpages1.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Here is my spotlight article:</div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXilwrmoddL10jTnTKIHuBAlporPDw4ERwNHd8nwZvQYr5P56Gdr0FlfWN0Jl49PT14IxydfnA_bVhOFQUC2Xv0fmU_7wkeIMFrGFEcTvPnPXtdsNbrf6-fag532A81t7Zxx0xWJakR1U/s1600/Blankpages2.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXilwrmoddL10jTnTKIHuBAlporPDw4ERwNHd8nwZvQYr5P56Gdr0FlfWN0Jl49PT14IxydfnA_bVhOFQUC2Xv0fmU_7wkeIMFrGFEcTvPnPXtdsNbrf6-fag532A81t7Zxx0xWJakR1U/s640/Blankpages2.PNG" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifA5GXEATEAAGdBybBzDT9Dh7mjc6f9wn7HW3YyUFCI3u-zOf2RCGAqyU7y-bDcMOJaDwTjQ95VcytLI0FWxRWiCBJItX3rErroxoEmWRn2GRVRLj6wLSHIPjULY3d-8hVChBz3IeVYHM/s1600/Blankpages3.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifA5GXEATEAAGdBybBzDT9Dh7mjc6f9wn7HW3YyUFCI3u-zOf2RCGAqyU7y-bDcMOJaDwTjQ95VcytLI0FWxRWiCBJItX3rErroxoEmWRn2GRVRLj6wLSHIPjULY3d-8hVChBz3IeVYHM/s640/Blankpages3.PNG" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYxlkdQHFKhprX65iGghNk9C8EcUXLbE8IZ3yIn0_4vTIfBu5o8gwpH8D5fj6CDPHDM7GHMIA8IXoHUoEQT6-R0-2z2wShlgrHiBjbJ17U0Xsr1QMcWLpsFFSrFuITMU8NSM75R3UsIqA/s1600/Blankpages4.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYxlkdQHFKhprX65iGghNk9C8EcUXLbE8IZ3yIn0_4vTIfBu5o8gwpH8D5fj6CDPHDM7GHMIA8IXoHUoEQT6-R0-2z2wShlgrHiBjbJ17U0Xsr1QMcWLpsFFSrFuITMU8NSM75R3UsIqA/s640/Blankpages4.PNG" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwyDI-MlXmdBZ23SfJCyWg0oIpXAnZOlcTj67YmZ26Du4MA22PdwG7L3k9YHw3QzAvAeOAP37zTNYKXNzb9TsZ3wU_mPFvV11C97z_QL-yGILVQAvaF7P_yjxXb-kgkh0UvXkwQomQADQ/s1600/Blankpages5.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="428" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwyDI-MlXmdBZ23SfJCyWg0oIpXAnZOlcTj67YmZ26Du4MA22PdwG7L3k9YHw3QzAvAeOAP37zTNYKXNzb9TsZ3wU_mPFvV11C97z_QL-yGILVQAvaF7P_yjxXb-kgkh0UvXkwQomQADQ/s640/Blankpages5.PNG" width="640" /></a></div><div class="separator" style="clear: both; text-align: left;">You can read the entire publication online here: <a href="http://www.blankmediacollective.org/blankpages">http://www.blankmediacollective.org/blankpages</a></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com2tag:blogger.com,1999:blog-8998608161310484376.post-41669111674072330442011-02-23T07:51:00.000-08:002011-02-23T08:22:55.099-08:00<span style="color: #38761d; font-size: large;">BLANKEXPRESSION 2011, BLANKSPACE LAUNCH</span><br />
<span style="color: black;">I was selected to take part in BlankExpression 2011 at BlankSpace.</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg46GLZJ8HVBNq_IpLcaDZudjulNbseHlWc5-Y11-VJBFlsJKFdqNZLH4A0iyAwDqqS-uz6PPmstaGtVOLuWRuYd6hpzijPc9hZSdSTrmqKS-aRIKY_Ittkvj4a92euC3FwBTbPapjDrks/s1600/BlankExpression10.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="252" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg46GLZJ8HVBNq_IpLcaDZudjulNbseHlWc5-Y11-VJBFlsJKFdqNZLH4A0iyAwDqqS-uz6PPmstaGtVOLuWRuYd6hpzijPc9hZSdSTrmqKS-aRIKY_Ittkvj4a92euC3FwBTbPapjDrks/s400/BlankExpression10.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d;">BlankExpression 2011</span> is an ambitious and exciting showcase of works by twenty-seven emerging practitioners from London to Victoria, Barnsley to Tel Aviv and anywhere in between. Taken from an open submission call, works will engage, stimulate and challenge each and every viewer. With a wide variety of works spanning over a range of disciplines, BlankExpression 2011 there’s something for everyone. BlankExpression 2011 promises to be the start of something very special happening at the iconic 43 Hulme Street building. </div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">PARTICIPATING ARTISTS:</div><br />
Alexander Ashton /Andrew Broadey /Andy Nash /Andy Nizinskyj /Ben Sloat /Claudia Borgna /Daniel/Fogarty /Hadas Tapouchi /Hannah Brown /Hannah Wiles /Jane Lawson /Jen Ross /Jez Dolan /Jude Macpherson /Karl Kolley /Katrina Vivian /Lucy Ridges /Lyndsey Searle /Matthew Stanners /Michael Thorp /Rachael Gittins /Rebecca Wild /Rose Barraclough /Ruth O’Brien /Scott Kershaw /Shreepad Jonglekar /Stephen White<br />
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EXHIBITION CONTINUES: Friday 28 January - Sunday 13 February 2011<br />
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Images of the work I made for the show can be seen in the blog-post below. Here are some images from the preview night: <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAg4A1OOp2AUNkE3KwJfspcgBxE8bw-9FL_l6ty2HqA1IhVBBg0WMFqRgJrPg8BYIjidtWBLNw8gsEuz-9CfyQqC6ctGiTiZ7U9uOwKmCN5G_lS_bpaqkai9tT9Rlcdrv3ZGwN_954IWc/s1600/BlankExpression1+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAg4A1OOp2AUNkE3KwJfspcgBxE8bw-9FL_l6ty2HqA1IhVBBg0WMFqRgJrPg8BYIjidtWBLNw8gsEuz-9CfyQqC6ctGiTiZ7U9uOwKmCN5G_lS_bpaqkai9tT9Rlcdrv3ZGwN_954IWc/s400/BlankExpression1+%25282%2529.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Photograph Credit: Gareth Hacking</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQNIKGtXUQNb7ols9vTsughqGuF4rsFMafBJGbyghMsvyeVBE0qbVn8q0J-GtoYR5P3lZ06kjYg_boSd_rh0E0jDt6uPTbIXJNR5H_KQcci32aq7Zp23F1WEW8cZRHN8uc9kbKl0vdhPk/s1600/BlankExpression11.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="257" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQNIKGtXUQNb7ols9vTsughqGuF4rsFMafBJGbyghMsvyeVBE0qbVn8q0J-GtoYR5P3lZ06kjYg_boSd_rh0E0jDt6uPTbIXJNR5H_KQcci32aq7Zp23F1WEW8cZRHN8uc9kbKl0vdhPk/s400/BlankExpression11.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Instrument by Rose Barraclough. Photograph Credit: Damien Hayward</span></div><div align="center"><span style="font-size: xx-small;"></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUGACWh1RmuL0APEwluU2CtRCNHyBvP46lJ5ZYjmlmfrtsGGHF3F5DAvBbgavd5vm2g87s_yPAvEkdWaE1i3OYmL2eZRvzm3p7PtywOy1aL35UE4a_AVuX019nF_A7WjxGqEcI9OLacU0/s1600/BlankExpression2.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUGACWh1RmuL0APEwluU2CtRCNHyBvP46lJ5ZYjmlmfrtsGGHF3F5DAvBbgavd5vm2g87s_yPAvEkdWaE1i3OYmL2eZRvzm3p7PtywOy1aL35UE4a_AVuX019nF_A7WjxGqEcI9OLacU0/s400/BlankExpression2.PNG" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Spinario by aniel Fogarty. Photograph Credit: Gareth Hacking</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiarAId_5JKAE1h9UWLh1Y1c1JgXeX7z99gDC2QGan3QcoH7iEVDxgY2r0MMHktn24DF8_zZs9VV_yqnj4SsfqdvD8yYNYf9E1H4RAkXwjMT-_azICpNmrHBEj_WsAG2Da8YQWr2aEziHs/s1600/BlankExpression4+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiarAId_5JKAE1h9UWLh1Y1c1JgXeX7z99gDC2QGan3QcoH7iEVDxgY2r0MMHktn24DF8_zZs9VV_yqnj4SsfqdvD8yYNYf9E1H4RAkXwjMT-_azICpNmrHBEj_WsAG2Da8YQWr2aEziHs/s400/BlankExpression4+%25282%2529.jpg" width="260" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Tape Series by Karl Kolley. Photograph Credit: Gareth Hacking</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMV5rdl_ev2n8Zzrpn3sIkGJBRScpdjF8lagPY_lhv8Fy2CxwaY5htCwRoXEURJfo4ci3H6dL-5daU0TAk6SWBfTgAQif8HQua4wQ3502oMCPF3UeYdRPliTuWtd-xZOvlDJDpVLEwHpQ/s1600/BlankExpression3.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMV5rdl_ev2n8Zzrpn3sIkGJBRScpdjF8lagPY_lhv8Fy2CxwaY5htCwRoXEURJfo4ci3H6dL-5daU0TAk6SWBfTgAQif8HQua4wQ3502oMCPF3UeYdRPliTuWtd-xZOvlDJDpVLEwHpQ/s400/BlankExpression3.PNG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Carousel by Andy Broadey. Photograph Credit: Gareth Hacking</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRv5Oe4vJSPJqGMhtclSx9QDMCF842IyI2acUGzBZk-_HwZkmg-Fl2ABc8IAL6RKh9z5maTit2FaajyPk5Kcc0fPpNA9gZMrbaqAdPOukL2yjenoOoBSRNL5JcTCmbN3uu8UpBKuCWJ9A/s1600/Blank2.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="285" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRv5Oe4vJSPJqGMhtclSx9QDMCF842IyI2acUGzBZk-_HwZkmg-Fl2ABc8IAL6RKh9z5maTit2FaajyPk5Kcc0fPpNA9gZMrbaqAdPOukL2yjenoOoBSRNL5JcTCmbN3uu8UpBKuCWJ9A/s400/Blank2.bmp" width="400" /></a></div><div align="center"><span style="font-size: xx-small;">Magic Carpet by Jude Macpherson. Photograph Credit: Jude Macpherson</span></div><div align="center"><br />
</div><div align="left">There is detailed information on all the artists that exhibited, along with images of their work, and an opportunity to buy the exhibition catalogue here: <a href="http://www.blankmediacollective.org/events/exhibitions/blankexpression_2011_blankspace_launch">http://www.blankmediacollective.org/events/exhibitions/blankexpression_2011_blankspace_launch</a></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-37144598700095828072011-02-23T05:29:00.000-08:002011-02-23T08:28:34.206-08:00<span style="color: #38761d; font-size: large;">BLANKEXPRESSION 2011</span><br />
I submitted a proposal for the exhibition BlankExpression which built on the ideas I put forward for CUBEOpen 2010 (See Below)<br />
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Here are some images of the work that I made, followed by a synopsis of the work.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQEmJ6XQahvvrFFw7Li5jh8eoK9ptEAhelvQpjtaPmKaGmxLSitHwyGCJsMwBkAKQn2zadREBgXdbQMRf7qzteqROrKQdqfqbYR5ud-ji-l88TDheR_8KuxU-f7IgOBbPraiyssS2k2LM/s1600/DSC_0124.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQEmJ6XQahvvrFFw7Li5jh8eoK9ptEAhelvQpjtaPmKaGmxLSitHwyGCJsMwBkAKQn2zadREBgXdbQMRf7qzteqROrKQdqfqbYR5ud-ji-l88TDheR_8KuxU-f7IgOBbPraiyssS2k2LM/s400/DSC_0124.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwxl-exkRcRlLahxJ-Rgh8Msai7ICGvwK3G8tI0KjoJFCKrAKFuaHa84ycxh84Tjg8fe0Nnw_R2Lf-_Nd8k08coaWffh-aXZMOsPPnzCjLyWUaRNz8wARyhCf8iTf0Ui49VtRxHmY05Ck/s1600/DSC_0135+-+Copy.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwxl-exkRcRlLahxJ-Rgh8Msai7ICGvwK3G8tI0KjoJFCKrAKFuaHa84ycxh84Tjg8fe0Nnw_R2Lf-_Nd8k08coaWffh-aXZMOsPPnzCjLyWUaRNz8wARyhCf8iTf0Ui49VtRxHmY05Ck/s400/DSC_0135+-+Copy.JPG" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><br />
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<span style="color: #38761d; font-size: large;">Synopsis of Work</span><br />
I am interested in how our society establishes institutions to ensure that the physical environment and people’s social behaviour remain under its determining influence. This has lead to a basic division between the minority who determine the topology of urban living and the majority who are forced to passively accept its given form in their daily lives. And as nature is seen to be a threat to the stability of the infrastructure of society; untamed and always moving towards anarchy, it is similarly repressed. Control is exerted upon the consciousness of people through the encoding of the physical environment into a highly complex structure of inter-related symbols that exhibit their separation from nature. A perfect example of this encoding of the physical environment can be seen in front of the new BLANKSPACE building, in the form of two square bushes that have been grown within a redbrick mount. Through ordering ‘nature’ into this repeated pattern within the constraints of the square concrete slabs, I am referencing the fact that most natural elements within a city are held within a fixed framework, intended as something to look at and admire from a distance. <br />
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Here are the two square bushes that have been grown within a redbrick mount, the initial inspiration for the work:<br />
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<span id="goog_377080878"></span><span id="goog_377080879"></span>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com1tag:blogger.com,1999:blog-8998608161310484376.post-29369158271117783992011-02-23T04:08:00.000-08:002011-02-23T08:16:51.993-08:00<span style="color: #38761d; font-size: large;">CUBEOpen 2010</span><br />
<span style="color: black;">Here are some images of work from this years CUBEOpen exhibition which I was selected for.</span><br />
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<span style="color: black;">Exhibition runs 19th November - 22nd January 2011</span><br />
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<span style="color: black;">CUBEOpen 2010 is the UK’s only annual open competition and exhibition of its kind! Launched in 2007, artists, architects and designers are invited to apply with work that reflects current trends and debates surrounding the spaces and places in which we live, each year the exhibition highlights contemporary insights into the urban environment. The CUBEOpen receives applications from around the globe, visitors to the exhibition will have the unique opportunity to see the diverse and engaging ways that artists, architects and designers have been influenced by our surroundings.</span><br />
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<span style="color: black;">Selected artists include: </span><br />
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<span style="color: black;">ALNIS STAKLE, ESKILD BECK, HANNAH WILES, CARLY FISCHER, ALBAN LOW, CAITLIN MASLEY, ELIZABETH WEST, CHRIS PICKUP, BEN COVE, ORTELIUS DREW, EMILY SPEED, DARA MCGRATH, LEE CAMPBELL, SHAN HUR, BEARD AND FERGUSSON, YAEL SCHMIDT, DAVID THEOBALD, DAY BOWMAN, JOE KENNEDY, JAMES O'HANLON, MATTHEW VERDON, CHRIS WRIGHT, MARY RUTH WALSH, URBAN (COL)LABORATORY, MARC PROVINS, SHAUN PAUL, MICK TIMPSON.</span><br />
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</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrTGiEZPvJEBa7mKCtZjH1PSxGimbBvtwFt1bMKtERn1FPyaaNcRST4a8c8agqTQB9mr3FoTVqzLX4KsKPC3Thjl7YExQJ3Lb4JgBtLjs8-zr80aFSAv81CQDSSOivd4EATnpO4S3ejvk/s1600/CUBEOpen1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrTGiEZPvJEBa7mKCtZjH1PSxGimbBvtwFt1bMKtERn1FPyaaNcRST4a8c8agqTQB9mr3FoTVqzLX4KsKPC3Thjl7YExQJ3Lb4JgBtLjs8-zr80aFSAv81CQDSSOivd4EATnpO4S3ejvk/s400/CUBEOpen1.jpg" width="400" /></a><span style="font-size: xx-small;"></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Gallery 1, CUBEOpen 2010, images © Nick Harrison</span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4pJwm3Py-wNzPZe453QaBDp5Iif2NX69clkh7we5gNQq-BH6fjeYYjrt3MiVMM8LM03GbhE4XNAGfncu4bGJojO50kqSczkDK7qYcCA24pxbCtvV4lrx2nXfRHek7Y5S7MCihXhX4tk/s1600/CUBEOpen2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4pJwm3Py-wNzPZe453QaBDp5Iif2NX69clkh7we5gNQq-BH6fjeYYjrt3MiVMM8LM03GbhE4XNAGfncu4bGJojO50kqSczkDK7qYcCA24pxbCtvV4lrx2nXfRHek7Y5S7MCihXhX4tk/s400/CUBEOpen2.jpg" width="293" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Forgotten No.2, 2010, by Shan Hur, CUBEOpen 2010, images © Nick Harrison</span></div><span style="font-size: xx-small;"></span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWtIacHNaKUM7spzzwOqIsjFbIWv9IynPWZzBq5sQRT6o7lb-8ebcxp66BM76l-i4SDoUJd2q5-DmoMMI-QslXVw-MmEqtwVK451Ut_EBSbU_yYb3HHAit-wNVITrXo6ZroN9_VDXGWdA/s1600/CUBEOpen3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWtIacHNaKUM7spzzwOqIsjFbIWv9IynPWZzBq5sQRT6o7lb-8ebcxp66BM76l-i4SDoUJd2q5-DmoMMI-QslXVw-MmEqtwVK451Ut_EBSbU_yYb3HHAit-wNVITrXo6ZroN9_VDXGWdA/s400/CUBEOpen3.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Throwing It All Away #4, Throwing It All Away #8, by Carly Fisher (backrounf Tokyo Palms 2010 & Still Building Within the Wall - Towards Jerusalem Westbank Palestine 2010, by James O'Hanlon), CUBEOpen 2010, images © Nick Harrison</span></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQQGUrg3W5kEn8o9i8oCdGeZTbAwRgifZ6zhg-322obxLEy_qIbcr3BiQJxd_VlSqF-vxpYCxL26tPnHJJ26OS_BEuYSgT6fX7zyTaci28c8svAQOf_2Kbrge5gwGdLBDsXJlpLd4PqS4/s1600/CUBEOpen4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQQGUrg3W5kEn8o9i8oCdGeZTbAwRgifZ6zhg-322obxLEy_qIbcr3BiQJxd_VlSqF-vxpYCxL26tPnHJJ26OS_BEuYSgT6fX7zyTaci28c8svAQOf_2Kbrge5gwGdLBDsXJlpLd4PqS4/s400/CUBEOpen4.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Gallery 3 & 4, CUBEOpen 2010, image ©Nick Harrison</span></div> <br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLEP0aziAefygE6edSzQp8WcbVX-Nha9en3dIajTQPHVSidtdLQ7HwFVqDV3UZyVqON2r3BM9d2e_6W6pk5lDivIZRzkwJZaa3LyDSWl5DZG8hxyIIHP0HgFod_VXR2DiMqbciHYlRnQQ/s1600/CUBEOpen5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" j6="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLEP0aziAefygE6edSzQp8WcbVX-Nha9en3dIajTQPHVSidtdLQ7HwFVqDV3UZyVqON2r3BM9d2e_6W6pk5lDivIZRzkwJZaa3LyDSWl5DZG8hxyIIHP0HgFod_VXR2DiMqbciHYlRnQQ/s400/CUBEOpen5.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;">Egg-nest-home-country-universe 2010, by Emily Speed, CUBEOpen 2010, images © Nick Harrison</span></div><span style="font-size: xx-small;"></span><br />
<span style="font-size: small;"><u>Press Coverage </u></span><span style="font-size: small;"><br />
</span><span style="font-size: small;">26/11/10 Manchester Evening News </span><br />
<span style="font-size: small;">30/11/10 Metro </span><br />
<span style="font-size: small;">18/12/10 Guardian </span><br />
<span style="font-size: small;">11/12/10 Guardian </span>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-69001982531709663772011-01-04T09:45:00.000-08:002011-02-23T08:18:38.083-08:00<span style="color: #38761d; font-size: large;">Selected for CUBEOpen 2010</span><br />
<span style="color: black;">I submitted my work <em>Monotony(Benches)</em> into CUBEOpen 2010 and my work was selected.</span><br />
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This is the work as it was displayed in the gallery:<br />
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And this was my proposal:<br />
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<span style="color: #38761d;">'For me, places are experienced concretely, not as equations of function to form. In this sense, architecture is ‘not’ place until and unless we subvert it with the contents of our lives. In other words, places are where time takes route, and it is time in its forms of personal and social memory and in its connection to the cycles of nature that we have attempted to design ‘out’ of industrial society. For this reason I find it difficult to draw any form of inspiration from newly built developments that for me have no character and no history. They lack the vernacular layers of natural and social landscape that keep the world interesting. I am therefore against a monoculture and have an interest in globalisation and what the effect of the global on the local appears to be. Through my work I hope to resist commodification, globalisation and uniformity by highlighting differences, imperfections and the marks of human existence.</span><br />
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<span style="color: #38761d;">Thinking about local distinctiveness and the effect of the global on the local, I wanted to draw attention to the monotony of the street furniture that we find in Manchester. Using red thread, I cross-stitched the letters of the word ‘monotony’ onto eight consecutive bus stop benches in order to highlight the homogeneous quality of these identical bus benches that line Oxford Road. This piece of work became the first in a three part series called Monotony. It seems to me that if we continue with this strategy of homogenisation, we are headed for a very bland and dull urban environment indeed. This is not to say that the corporate powers that be should start a production line of bus stop benches that are each slightly different. I am not interested in difference for its own sake. It is about recognising the richness that comes organically with heterogeneity, history, culture and ecology.</span><br />
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<span style="color: #38761d;">Utilising existing structures such as street furniture, my work rides the dominant culture physically and exposes social controls whilst its quiet nature has the ability to activate the consciousness of a place through subtle markings without disturbing it.'</span>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-15893019546541272602010-11-18T08:33:00.000-08:002010-11-18T08:36:13.331-08:00<span style="color: #38761d; font-size: large;">'With These Walls We Are Shaped', WCS, Private View.</span><br />
Here are some images from the private view of the exhibition, 'With These Walls We Are Shaped', held at Wolstenholme Creative Space as part of the Independents Liverpool Biennial. More details about the exhibition and images of the work that I showed can be found in the blog entry beneath.<br />
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Artist Credits in order from top to bottom: <span style="background-color: white; color: #444444;">Michael Coombs (UK), Andrew Brookfield (UK), Junichiro Iwase (Canada), Henrietta Simson (UK), Carol Ramsay (UK), Claire Freeman and Kate Fallon-Cousins (UK), Ulrike Oeter (Germany), Su-Chen Hung (Taiwan/USA), Cait Walker and Robin Heap (UK).</span><span style="background-color: white;"><br />
</span><br />
<div align="center"></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com0tag:blogger.com,1999:blog-8998608161310484376.post-46207613524319353322010-11-18T07:19:00.000-08:002010-11-18T07:19:46.698-08:00<div class="separator" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"></div><span style="color: #38761d; font-size: large;">Interventions for 'With These Walls We Are Shaped' WCS</span><br />
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<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><span style="color: #38761d;"><span style="color: black;">For this exhibition I submitted a proposal to make new site-specific work that would build on the work I had carried out at Tito's, a four week residency in a derelict bakery.</span></span></div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN2FF8zI_38o09sRexi4eO-jRiEGjlRLKtqLzcn_sXUOjdplqRqpzjIKZk7jpw8HymP2NVWBDlFqv_HbXuNQVbuKfhE_ZRht6tuy1pyIZD-urxPN-YfWJDz1orTCtW4nuY00PHED5RF2g/s1600/DSC_0497.JPG" imageanchor="1" style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><span style="color: #38761d;"><span style="color: black;">As previously discussed, I have apprehensions about the speed at which regeneration is taking place. It seems to me that the existing city fabric is being systematically destroyed and removed in aspiration of a uniform space of consumption where sensory deprivation is inherent. In light of this I was particularly interested in Wolstenholme Creative Space’s change of use from a textile factory into an art space. </span></span></div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><br />
</div><div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;"><span style="color: #38761d;"><span style="color: black;">Ultimately, I wanted to challenge how this space of indeterminacy may be perceived, drawing on the importance of such a site with regard to the memories it encapsulates, acknowledging the lives lived within. Utilising the fact WCS is not just a plain, one-surface, white gallery, I proposed to focus my work on the imperfections of the space as a counter attack on the modernist dream; a sharp look at the reality of faceless existence.</span></span></div><br />
<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">Here are images of the six pieces that I made throughout the building:</div><br />
<span style="color: #38761d; font-size: large;">Untitled (<em>White Stickers</em>)</span><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirvdaIhiLmUBMTzDpiB3jz57cnAJWAuq6SoQhyphenhyphenjUKOWVGELC0ml4f3opsJpOZkmRive894pmi4N9aeOQAqYDZqQ_cOkBj9FRbhyphenhyphenVGYhqsDeDqzye2YYMGm20-1OJT9xTuBGtv3kYEqzsI/s1600/DSC_0383.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirvdaIhiLmUBMTzDpiB3jz57cnAJWAuq6SoQhyphenhyphenjUKOWVGELC0ml4f3opsJpOZkmRive894pmi4N9aeOQAqYDZqQ_cOkBj9FRbhyphenhyphenVGYhqsDeDqzye2YYMGm20-1OJT9xTuBGtv3kYEqzsI/s640/DSC_0383.JPG" width="424" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: left;"></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d; font-size: large;">Untitled (<em>Green Beads</em>)</span></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;"></div><div align="center" class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_gFgN7WCI2YXx-HVPpuKTXXHZhK8MtnNvP5QU7b33aT9iXOAC-UQCe2DTtYjIo7LdvT4Qfz1HJnNRpj0fmPWU29qQg8Qb6snsLssSp9mitWJEU0tRw9-Wr7o311trqBkgvHHk4ZHJ0Q/s1600/DSC_0376.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp_gFgN7WCI2YXx-HVPpuKTXXHZhK8MtnNvP5QU7b33aT9iXOAC-UQCe2DTtYjIo7LdvT4Qfz1HJnNRpj0fmPWU29qQg8Qb6snsLssSp9mitWJEU0tRw9-Wr7o311trqBkgvHHk4ZHJ0Q/s640/DSC_0376.JPG" width="428" /></a></div><div align="center"></div><div align="center" class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbZRAR2NA0rUWnNNPr9biW8lFwFqAeL1XllUugsbzZ6sNFmeQB_V7hoVrSz5eFyYVy8TTte1Z81bJRZ-PjOK9kD0U_wOpzq0ao6FO1oNROiay4-EsIeLHkUkuEyXJQogkgr_nTpzSW6Lo/s1600/DSC_0483.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbZRAR2NA0rUWnNNPr9biW8lFwFqAeL1XllUugsbzZ6sNFmeQB_V7hoVrSz5eFyYVy8TTte1Z81bJRZ-PjOK9kD0U_wOpzq0ao6FO1oNROiay4-EsIeLHkUkuEyXJQogkgr_nTpzSW6Lo/s400/DSC_0483.JPG" width="266" /></a></div><div align="center" class="separator" style="clear: both; text-align: center;"><br />
</div><div align="center" class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeSjoEoqgsopTRAD3e1auASUfFhF5T45TxmiqO01zSxhJYKbKWUElpZGB95cIUlelxCYQx-cMh6dMbK0KLb9AejMH_ZlujtNVFlDz4F81ZoD4OfUqBxXOtD1SxGK-LWtnedFMuG2x9nA/s1600/DSC_0360.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeSjoEoqgsopTRAD3e1auASUfFhF5T45TxmiqO01zSxhJYKbKWUElpZGB95cIUlelxCYQx-cMh6dMbK0KLb9AejMH_ZlujtNVFlDz4F81ZoD4OfUqBxXOtD1SxGK-LWtnedFMuG2x9nA/s400/DSC_0360.JPG" width="266" /></a></div><div align="center" class="separator" style="clear: both; text-align: center;"><br />
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<div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d; font-size: large;">Untitled (Gold Pins)</span></div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd5pw0bNwy13ggVN6vhmamJUTVnTpuRguFo-tRdqSPqSbTM9laq2E6WRg_vAfSXbh3Wre8RKOr170EChsRpssyIW0ZYJaA5amC_EI8i_AjurEvzdliqmEnY_zznQCtiNmE2AfyZ0GHWNU/s1600/DSC_0452.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd5pw0bNwy13ggVN6vhmamJUTVnTpuRguFo-tRdqSPqSbTM9laq2E6WRg_vAfSXbh3Wre8RKOr170EChsRpssyIW0ZYJaA5amC_EI8i_AjurEvzdliqmEnY_zznQCtiNmE2AfyZ0GHWNU/s640/DSC_0452.JPG" width="428" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d; font-size: large;">Untitled (Green Felt)</span></div><div class="separator" style="clear: both; text-align: left;"><br />
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<div class="separator" style="clear: both; text-align: left;"><span style="color: #38761d; font-size: large;">Untitled (Orange Thread)</span></div><div class="separator" style="clear: both; text-align: center;"><br />
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<span style="color: #38761d; font-size: large;">Untitled (Goldfinger, Green Thread, Copper Flake)</span><br />
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</div><div style="text-align: left;">Through this tactile work I hope that I have transformed the space in a way that will encourage interaction and confront how people respond to such a building. Utilising understated techniques, I aim to transform the overlooked and make it precious. The experience of making the work on site, in response to the building was important and has been an interesting challenge. </div><br />
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As my work is small in nature and often subtle, there is an element of surprise on discovering the small scale interventions that have taken place around the building. This is the first time I have had the opportunity to show my work as it exists in situ, rather than displaying documentation of work created elsewhere. It has been interesting to observe how people interact with the work upon discovery and also how it sometimes gets overlooked. <br />
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<div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"></div><div class="separator" style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none; clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiAlYb9QGtAnq6Nlqr3M_QFKZ6pSFvjJptF5VO1O7Wd4yVp1Z00NUzDDMYXDBLrtC462OMjM3vV9jiOD4cgXMgvL13D6gaQYUjdnUBP__z9K_p1JQhPzRfvF-nFc5NJiDwP9k5jQTcW5s/s1600/DSC_0493.JPG" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a></div><div style="text-align: left;"></div>Hannah Wileshttp://www.blogger.com/profile/06063214882110395453noreply@blogger.com1